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In 2012, Schneider co-wrote the song 'Show You How to Do' with Ben Charles for the Disney hit show Shake It Up. He was the 2010 YoungArts Theater Winner. Schneider was a swing understudy in the Broadway musical 13 covering 4 roles in 20, and modeled with Madonna for an international Dolce & Gabbana campaign. He began performing at age three and got his first agent at the age of 14. A brief mention of it has been removed from this article.Schneider was raised in Woodstock, New York.

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Update June 10, 2020: HBO Max has temporarily dropped “Gone With the Wind” from its lineup. And there are plenty of those too: Charlize Theron and Seth Rogen in “ Long Shot,” the Bradley Cooper and Lady Gaga-fronted “ A Star Is Born” or Jordan Peele’s mind-bending horror thriller “ Us.” It may well be the best of the bunch, not only for its inventive screenplay, goosebump-raising suspense, and terrific performances (particularly a chilling, double-edged turn by Lupita Nyong’o), but also for sheer nostalgia: it’s exactly the kind of nightmare-fueled horror picture that us children of the ’80s loved to tiptoe out of our bedrooms in the middle of the night to sneak-watch on HBO. In those distant, pre-“Sopranos,” pre-“Sex and the City” days, people mostly watched HBO to see big Hollywood movies, a year or so after their theatrical runs. Lest we forget, for years upon years, the primary draw of HBO was right there in the name: Home Box Office, i.e., going to the movies without leaving your home. That maybe if sort of reasoning with them doesn’t work, a good old fashioned low register, throwing some bass into his voice, coming out with a little swagger and a bat might work.” “O.K., let’s call the cops.” “Winston is just remarkable in this scene, and the audience really I think is in this tug of war between feeling the tension ratcheting up and the fear of what’s to come and the little bit of a comic relief of watching this kind of goofy dad who’s in over his head.” “Gabe.” “No, no, no, no, no, no, no, no, no. You know, he goes back to some of his roots, as it were, to try and intimidate this mysterious family out there.

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Now I need y’all to get off my property.” “One of the pieces of this scene that works really well is we’ve got Winston to this spot where he’s code switching. Probably after the second time someone doesn’t respond, you know one of you’s got to go down. The less response you get, the more impending and physical, I think, the threat gets. And no matter how many questions he’s asked, he just doesn’t respond. Can I help you?” “One of the things in this scene that really inspired me was the scene in “Halloween” where Michael Myers has the ghost sheet over him.

This is kind of like - probably pulled from my own anxieties of being a father and realizing, yeah, you got to man up sometimes.” “Hi. Really trying to subliminally signal to the audience that this sort of relentless, real time event has begun and is taking place.” “Wait, wait, wait, just one sec - Gabe.” “So we see Gabe leave. When we get into this moment where the four family members are standing holding hands outside, then we go into this sort of fluid - we use a lot of the Steadicam with very few edits. The movie before this has been going from some time dashes here and there. One of the techniques that I utilized to get that terror was that all of a sudden we go into real time. Jason, of course, says “there’s a family in our driveway.” A line designed, giddily, to attempt to be an iconic line, like “they’re here” from the “Poltergeist” movie and sort of help congeal this sense of an Amblin-esque predicament with a black family in the center of it.” - “What?” “Zora, give me your phone.” “I’m not on it.” “Zora!” “This is the point in the movie where I want the terror to really kick into a new gear for the audience. I’m the writer, producer, and director of the movie “Us.’” “There’s a family in our driveway.” “So here we have the scene where the tethered family arrives at the Wilson house for the first time.

Transcript ‘Us’ | Anatomy of a Scene Jordan Peele narrates a sequence from his film.

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